{"id":732,"date":"2019-09-12T11:25:14","date_gmt":"2019-09-12T09:25:14","guid":{"rendered":"https:\/\/kentneal.com\/?page_id=732"},"modified":"2020-07-13T14:20:28","modified_gmt":"2020-07-13T12:20:28","slug":"poems","status":"publish","type":"page","link":"https:\/\/kentneal.com\/fr\/poemes\/","title":{"rendered":"Po\u00e8mes"},"content":{"rendered":"\t\t
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Poems<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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encore de mauvaises [nouvelles
\nmon voisin DJ
\naux platines<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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July-September 2020. “encore de mauvaises nouvelles.” Gong<\/em>: no. 68. French Haiku Association. 60000 Beauvais, FRANCE<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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riad de luxe
dans la cour
deux rats jouent<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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October 2019. “riad de luxe.” Haiku Canada Review<\/em>. Whitehorse, CANADA.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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doigts \u00e9talent de la
\ncr\u00e8me solaire sur le dos d'un mec \u2013
\nson langage corporel ?<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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June 2018. <\/span>Ha\u00efkus ardents <\/span><\/i>(collective work). \u00c9ditions L\u2019iroli: 60000 Beauvais, FRANCE. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Einstellungsgespr\u00e4ch
was sagt
seine K\u00f6rpersprache?<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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December 2017. “Einstellungsgespr\u00e4ch.” Sommergras: no. 119. Deutsche Haiku-Gesellschaft. Hamburg, GERMANY.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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entretien d'embauche
\nqu'est-ce que dit
\nson langage corporel ?<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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October-December 2017. “entretien d’embauche”. Gong: no. 55. French Haiku Association. 60000 Beauvais, FRANCE<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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dans ses cheveux blancs
\ndes morceaux de confetti
\nde couleurs fluo\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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un accord sur le climat tes mains
r\u00e9chauffent les miennes<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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checking my watch
\nduring an endless meeting
\non ways to save time<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Winter-Spring 2017. “checking my watch.” Modern Haiku: no. 48:1. Portsmouth, RI 02871, USA.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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the sopranos start
\nthe tenors join them
\nat last, the organ wakes up<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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January 2017. “the sopranos start.” World Haiku Review: Winter 2017. World Haiku Club. London, UK.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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casquette \u00e0 l'envers
\nil met un \u00e9couteur dans
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October-December 2016. “casquette \u00e0 l’envers.” Gong: no. 53. French Haiku Association. 60000 Beauvais, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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a boy, his skullcap
\na Muslim girl paints his face
\nduring summer camp<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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September 2016. “a boy, his skullcap.” Haiku Journal: no. 47. Prolific Press Inc. Harborton, VA 23389, USA.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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le vent souffle fort
\nemportant un marque-page
\nen forme d'oiseau<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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July-September 2016. “le vent souffle fort.” Gong: no. 52. French Haiku Association. 60000 Beauvais, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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behind a big pile
\nof mortar shells, two soldiers
\nhug each other<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Winter-Spring 2016. “behind a big pile.” Modern Haiku: no. 47.1. Portsmouth, RI 02871, USA.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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l'ouvrier \u00e9tale
\ndu goudron chaud \u2013 discr\u00e8tement
\nil se gratte l'entrejambe<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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March-June 2016. “l’ouvrier \u00e9tale.” Gong: no. 51. French Haiku Association. 83670 Barjols, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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le pont des cadenas
\nsur chaque cadenas : deux pr\u00e9noms
\nle poids de l'amour<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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September 2016. “a boy, his skullcap.” Haiku Journal: no. 47. Prolific Press Inc. Harborton, VA 23389, USA.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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une piscine immacul\u00e9e
\n\u00e0 deux pas
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January-March 2016. “le pont des cadenas.” “une piscine immacul\u00e9e.” Gong: no. 50. French Haiku Association. 83670 Barjols, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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deux tasses de caf\u00e9
\ndeux boules de glace \u00e0 la menthe
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October 2015. “deux tasses de caf\u00e9.” Gong: special issue no. 12, French Haiku Association Contest. 83670 Barjols, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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allong\u00e9 sur un tonneau
\nle chat aussi participe
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October-December 2015. ” allong\u00e9 sur un tonneau.” Gong: no. 49. French Haiku Association. 83670 Barjols, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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des petites plumes blanches
\nqui flottent dans l'eau du marais \u2013
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September 2016. “a boy, his skullcap.” Haiku Journal: no. 47. Prolific Press Inc. Harborton, VA 23389, USA.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jours d'\u00e9cole (collectif de ha\u00efkus)<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

une fille court vers le
\nbus jaune \u2013 le chauffeur s'arr\u00eate
\nnouveau sac \u00e0 dos
\n
\n\u00e0 la cafet'
\n\u00e7a sent la tarte \u00e0 la citrouille
\nveille d'un long week-end
\n
\n\u00e0 six ans, j'embrasse
\nChris sur la cour de r\u00e9cr\u00e9 \u2013
\npremier bisou<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

January-March 2016. “le pont des cadenas.” “une piscine immacul\u00e9e.” Gong: no. 50. French Haiku Association. 83670 Barjols, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t
\n\t\t\t\t\t

deux tasses de caf\u00e9
\ndeux boules de glace \u00e0 la menthe
\nnos genoux se touchent<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
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October 2015. “deux tasses de caf\u00e9.” Gong: special issue no. 12, French Haiku Association Contest. 83670 Barjols, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
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\n\t\t\t\t
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partageant des sushis
\nun Anglais et un Chinois
\nse parlent en fran\u00e7ais<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
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October 2014. “partageant des sushis.” Gong: special issure no. 11, French Haiku Association Contest. 83670 Barjols, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
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Visite du mus\u00e9e d'art contemporain<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

huile sur toile
\npl\u00e2tre peint
\ngravure sur pierre
\nacier soud\u00e9 et pli\u00e9
\nacrylique sur toile
\nbois et verre
\nhuile sur carton
\nmarbre
\ndenim sur fesses<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

June 2014. “Visite du mus\u00e9e d’art contemporain.” D\u00e9charge: no. 162. 89240 \u00c9gleny, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jours d'\u00e9cole (collectif de ha\u00efkus)<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

entour\u00e9s par du b\u00e9ton
\ndeux rosiers en fleurs
\n\u00e0 l'arr\u00eat de bus
\n
\nentre les voies du
\ntramway, papillon se pose
\nsur brindille tomb\u00e9e<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

April-June 2014. “entour\u00e9s par du b\u00e9ton,” “Entre les voies du.” Gong: no. 43. French Haiku Association Contest. 83670 Barjols, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
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\n\t\t\t\t
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ciel gris \u2013 sous
\nl'escalier s\u00e8chent des parapluies
\nde toutes les couleurs<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

October 2013. “ciel gris \u2013 sous.” Gong: special edition no. 10, French Haiku Association Contest. 83670 Barjols, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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9 ha\u00efkus<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Une nuit blanche
\nLors du Ramadan. L'insomnie,
\nC'est le je\u00fbne du sommeil.
\n
\nTes fesses fermes \u2012
\nDeux beignets qui inspirent bien
\nDes fantasmes
\n
\nDans ton regard furtif
\nJ'ai trouv\u00e9
\nUn bonheur fragile
\n
\nDans le ciel nocturne
\nLe soleil veillait sur nous
\nTel un somnambule
\n
\nLe saumon rose plane
\nUne petite \u00e9ternit\u00e9
\nPuis replonge dans l'eau
\n
\nEn regardant un dessin
\nTa silhouette de nageur
\nMe surprend dans le reflet
\n
\nLa grande roue tourne
\nTes yeux me donnent le vertige
\nAu-dessus des toits
\n
\nParmi les vagues de Wimahl
\nUne lumi\u00e8re verte
\nS'allume s'\u00e9teint s'allume
\n
\nAlchimiste aux yeux
\nBruns transforme en or
\nMes week-ends de plomb<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

March 2010. [9 haikus]. verso: no. 140. 69480 Lucenay, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
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\n\t\t\t\t
\n\t\t\t\t\t

Ton f\u0153tus\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Il y a six mois, tu as con\u00e7u un enfant
\ndans les toilettes d'un avion
\nqui franchissait la fronti\u00e8re
\nfranco-espagnole.
\n
\nCette grossesse a provoqu\u00e9
\ndes naus\u00e9es matinales \u2013 faux amis,
\nmalentendus culturels
\net fautes de grammaire.
\n
\nTu as nourri ce f\u0153tus
\nd'une soir\u00e9e andalouse imbib\u00e9e
\nde sangria et de sueur.
\nEnrique t'a fait tourner comme un derviche
\nafin que tu puisses ressentir
\nl'esprit du flamenco.
\n
\nTu as bien soign\u00e9 ton espagnol.
\nMaintenant, enfante-le.
\nEcris-le, Lis-le, Crie-le.
\nN'aie pas honte de ton accent.
\n
\nCette naissance
\nest une responsabilit\u00e9 de toujours.
\nEl\u00e8ve bien cet enfant
\nen attendant sa maturit\u00e9.<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
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December 2007. “Ton f\u0153tus.” verso: no. 131. 69480 Lucenay, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
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\u00c0 travers la fum\u00e9e<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Je te vois \u00e0 travers
\nun nuage de fum\u00e9e.
\nTa main droite porte
\nune clope br\u00fblante.
\nTu me regardes avec tes yeux
\nbleus comme le ciel clair
\nd'un jour andalou.
\n
\nJe veux toucher
\nta peau douce, brillante.
\nTes l\u00e8vres d\u00e9licieuses cachent
\ndes dents jaun\u00e2tres par le tabac.
\nLa fum\u00e9e se faufile
\ndans mes yeux curieux.
\n
\nPourquoi ternir
\nce temple dor\u00e9? Pourquoi
\nchaque paradis a-t-il sa chute?<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
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October 2006. “\u00c0 travers la fum\u00e9e.” Libelle: no. 172. 75020 Paris, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
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\n\t\t\t\t
\n\t\t\t\t\t

Un confluent<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

La lumi\u00e8re rouge de l'Op\u00e9ra
\ntombe sur la place.
\nDes couples rythmiques
\ntournoient sur des pierres lisses.
\n
\nUne foule regarde
\ncette mar\u00e9e montante et descendante.
\nJe m'assieds pr\u00e8s de la fontaine.
\nVous \u00eates debout. Vous \u00e9tincelez.
\n
\nJe vous regarde fixement.
\nVous n'avez pas
\nde cavalier. Voudriez-vous
\nvalser avec moi?
\n
\nJe serai le Rh\u00f4ne.
\nVous serez la Sa\u00f4ne.
\nLa foule verra deux corps
\nm\u00e2les couler ensemble \u2013
\nun confluent.
\nMais qui m\u00e8nera la danse?<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

June 2006. “Un confluent.” Verso: no. 125. 69480 Lucenay, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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bleue blanche et rouge<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

je suis homo mais
\nje suis tomb\u00e9 amoureux
\nd'une vieille dame
\nelle porte une robe bleue
\nblanche et rouge
\nsa silhouette est en forme
\nd'hexagone
\nelle s'appelle
\nMarianne<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

January 2006. “A travers la fum\u00e9e,” “Bleue blanche et rouge,” “Cette nuance,”
“La torche ronde se l\u00e8ve.” Po\u00e8mes \u00e9pars: no. 33. 69100 Villeurbanne, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
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Cette nuance<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Les voitures bougent
\ncontre le vent glacial, lentement.
\nLeurs klaxons crient violemment
\ncontre les feux rouges.
\n
\nLes gaz d'\u00e9chappement
\ngrisent les mines de la foule
\nqui marchent rapidement.
\nLes fissures du b\u00e9ton coulent.
\n
\nUn coin de rue, tes yeux \u00e9gar\u00e9s
\nm'attendent avec brillance.
\nIls clignent et un nouveau bleu est n\u00e9.
\n
\nDans mon c\u0153ur, cette nuance
\nallume un feu
\nde cura\u00e7ao qui danse.<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

January 2006. “A travers la fum\u00e9e,” “Bleue blanche et rouge,” “Cette nuance,”
“La torche ronde se l\u00e8ve.” Po\u00e8mes \u00e9pars: no. 33. 69100 Villeurbanne, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
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\n\t\t\t\t\t

La torche ronde se l\u00e8ve<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

La torche ronde se l\u00e8ve
\n\u00e0 l'est en illuminant
\ncette ancienne capitale
\nde ton Orient hexagonal.
\n
\nTu as coup\u00e9 tes poignets
\navec un billet d'avion.
\nTon corps nu laisse
\ntomber des gouttes de sang.
\n
\n\u00d4 glisse-toi dans
\nles eaux du Rh\u00f4ne.
\nCapitule aux caresses douces
\ndes vagues vertes.
\n
\nEgare-toi dans les courants
\nqui coulent, qui lavent
\nta peau sanglante
\navec ardeur, avec soin.
\n
\nPleure! Baigne-toi dans
\ntes larmes chaudes, am\u00e8res!
\nL\u00e2che tes sanglots!
\n\u00d4 l\u00e2che-toi.
\n
\nSerre ce fleuve
\ndans tes bras;
\nembrasse-le
\nsur chaque joue.
\n
\nEmerge-toi et respire.
\nConstruis un pont
\nstable qui relie
\ndeux rives culturelles.<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

January 2006. “A travers la fum\u00e9e,” “Bleue blanche et rouge,” “Cette nuance,”
“La torche ronde se l\u00e8ve.” Po\u00e8mes \u00e9pars: no. 33. 69100 Villeurbanne, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
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\n\t\t\t
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\n\t\t\t\t\t

Apaisement<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Au centre des ar\u00e8nes d'amour
\nje suis debout, seul.
\nLe taureau de mort
\nm'entoure avec impatience.
\nQui va me sauver?
\nQui est mon matador?
\n
\nUn matador qui porte
\nune longue \u00e9p\u00e9e,
\nun pantalon moulant.
\nUn matador qui allume
\nses yeux charmants de
\nson sourire chaleureux.
\n
\nLe taureau grogne avant
\nde me charger.
\nLes spectateurs se l\u00e8vent \u2013
\nma famille, mes amis.
\nIls hurlent.
\nIls crient.
\n
\nMon c\u0153ur, ses sabots, mon c\u0153ur, ses sabots ;
\nbat, claquent, bat, claquent, bat, claquent ;
\nmon c\u0153ur, ses sabots, mon c\u0153ur, ses sabots ;
\n
\nbat, claquent, bat, claquent, bat, claquent.
\nDeux rythmes s'entrelacent en dansant
\nun flamenco furieux.
\n
\nLes sabots s'arr\u00eatent.
\nLa b\u00eate s'allonge par terre,
\net commence sa sieste paisible.<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

February 2005. “Apaisement.” Libelle: no. 154. 75020 Paris, FRANCE.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Poems encore de mauvaises [nouvelles mon voisin DJ aux platines July-September 2020. “encore de mauvaises nouvelles.” Gong: no. 68. French Haiku Association. 60000 Beauvais, FRANCE riad de luxedans la courdeux rats jouent October 2019. “riad de luxe.” Haiku Canada Review. Whitehorse, CANADA. doigts \u00e9talent de la cr\u00e8me solaire sur le dos d’un mec \u2013 son […]<\/p>\n","protected":false},"author":1,"featured_media":1275,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-732","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nPoems - Kent Neal<\/title>\n<meta name=\"description\" content=\"Enjoy reading poems by Kent Neal published in literary journals on both sides of the Atlantic Ocean.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kentneal.com\/fr\/poems\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Poems - Kent Neal\" \/>\n<meta property=\"og:description\" content=\"Enjoy reading poems by Kent Neal published in literary journals on both sides of the Atlantic Ocean.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kentneal.com\/fr\/poems\/\" \/>\n<meta property=\"og:site_name\" content=\"Kent Neal\" \/>\n<meta property=\"article:modified_time\" content=\"2020-07-13T12:20:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/kentneal.com\/wp-content\/uploads\/kent-neal-3b.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1365\" \/>\n\t<meta property=\"og:image:height\" content=\"1365\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/kentneal.com\\\/poems\\\/\",\"url\":\"https:\\\/\\\/kentneal.com\\\/poems\\\/\",\"name\":\"Poems - 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